Cinema

The Rio by 1:2:3 and Kristoffer Sundin consists of simple well-chosen materials assembled to create an intimate, distinctive space. Cleverly, the way they are put together - and in particular, the lighting - still seem to say 'cinema' without resorting to cliche. I loved this shot of the entrance in the rain.

Data

From Flowing Data comes an innovative and beautiful way of representing complex data. Like all graphs, it works because it converts the information from the numbers into visual form. The difference in the ribbon diagrams is in the ability to present multi-dimensional numeric values clearly. The example of hair colour preference is a good example, and all is clearly explained. Very clever.

Zumthor

One of my heroes, Peter Zumthor was announced as this year's Pritzker Prize winner. His work is formally ascetic, but materially rich, born of extended gestation periods completely unfeasible for the everyday architect. As a result, he produces subtle, deep architecture that is anything but everyday, yet whose textural properties resonate with human contact.

His sensual work is summarised by Dezeen here, and my favourite building - his mountainside chapel at Chur - is shown left.

Whitworth

I recently went to the Whitworth Art Gallery in Manchester, and caught the 'Subversive Spaces' exhibition. It draws together disparate fields of artistic enquiry, including situationism, feminist art and psycho-geography to create stimulating reflections. All fall into the category of art from the margins. Artists such as Sarah Lucas, Dali, Lucy Gunning and Guy De Bord are featured.

Magnets

A little old now, but just stumbled upon this again. It is a magnetic curtain, which allows for some striking sculptural possibilities, due to the way the grid of magnets engages when it is scrunched.

(via 3Rings)

Retro

The redesigned Architectural Review is available for pre-publication inspection over at Dezeen. I was immediately transported back by its masthead to the RIBA Library and browsing through mid-seventies (I think it was) editions of the magazine - probably looking for a brick housing scheme, or something by Peter Eisenman.

I have a worry that clean well-composed pictures will be disturbed by overlapping tabs and text blocks, though its generally retro feel paradoxically lent the spreads previewed a freshness.

Still Life

The Art School at MMU currently has some large format photos of scenes from its history on display. Amongst them is this photo of a still life class with a slightly surreal air. In the centre are (presumably) the objects set for them to work on, yet they are carefully posed facing away from the study. Furthermore, they are drawing childish outlines in chalk on their boards, which a colleague identified correctly as looking uncannily like the work of Michael Craig-Martin.

All in all, the scene has the signs of a dapper, very civilised protest perhaps against art - or the people teaching it.